I saw this new trailer through my Facebook feed early this morning, and had to watch it twice. Despite (and perhaps this is too my detriment) never having hear of Nia DiCosta before directing ‘Candyman’, this short film–this new trailer–has me more hype than I was before to see this movie. And if you look carefully, you will see snippets of other Black history/horror stories in it as well. Within 2 minutes, I am that much more of a fan of hers. The short is intelligent, complex and telling. It reminds me of something that should have been included in the SHUDDER documentary, Horror Noire (Please cop this book! Please watch this documentary!).
The thing that is awesome about this teaser, about this retelling is found in the tweet of the director: “…the symbols we turn them into and the monsters they must have been.” This goes into the controlling of narrative, the controlling/ownership of language, and how minority people will always suffer from the retelling of their own stories by people who don’t look like them! This dovetails into the quote by Tananarive Due: “Black people have always loved horror–horror hasn’t always loved us.” And my favorite quote by her being, “Black history IS Black horror.”
Perhaps the issue remain in the fact that this story was originally written as a short story by Clive Owen. From that story, was the film. From that film, with its premise, allowing pain, anguish, revenge and autonomy through the vehicle of this angry spirit, I believe, is one of the reasons relegating Black people to tokens, magical/sacrificial Negroes or the ‘other’ is comforting to White audiences!
There is a shift vibrating through Black art right now–through all its medium. Besides, if there can be literally 10 movies featuring Jason Voorhees, the world will deal with the angry vengeful spirit of a Black artist whose hand and life were taken because he dared be who is was–and loved who he did! Jordan Peele said it best when he voiced the White male lead horror protag has been done—to death. Now, in this age where freedom is continueally paid for with time, I am anxious to see what else Nia DiCosta is allowed to create. This has to be–must be!–only the beginning.