Warning: This will contain spoilers.
Also, this series is dedicated to my best friend, Marissa–who’s nickname is Romanov.
I finally was able to watch Black Widow this week. I am glad of this, though. I was able to watch it alone, with all my girlhood, womanhood and writer self all in the same room. In watching Infinity War: Endgame, I (like every other MCU fan) was horrified at the loss of Natasha, rather than Clint, to get the Soul Stone.
Yes, I still feel away about this. But, let’s go on.
I have daughters whom are dedicated Marvel fans, and they were born during Phase 3! So, seeing–knowing!–that Natasha ‘Nat’ Romanov was getting her own movie–and Scarlett Johanssen was going to have Executive Producer credit? With a female director? For a Marvel movie? Oh, yes! Game changing! There is definitely a distinct difference when a woman directs a movie and when a man does. But, this? Oh, but this. Here are some of my take aways–and things that you might not have paid attention to.
1.) The rampant nature of the abuse of women and girls. All through the movie, we see just how easy it is to hurt women and girls. When Nat and Yelena run from the small force of Widows who come for them, one falls off the roof and breaks her tibia. She is told by the Red Room to terminate (kill herself). Though Nat tries to help, her free will has been hijacked. This also speaks to how suicide is till a problem among women, and how we can somehow feel as if no one can help us.
2.) Black women and girls are often the victims of human trafficking. Although the African-American/Widows whom are Black don’t have dominant screen time, but it points to just how easy it is to erase Black women and girls–and how no one looks for us, if they don’t look for us. There is also the creepy and telling line that Drestov says regarding how the world has too many girls, inferring they (read: we) are a wasted resource. Throwaways. Natasha hints to this as well as she confronts him before destroying the Red Room.
3.) Sexualizing of young women and girls. If you have watched the evolution of Black Widow’s outfits through the Avengers movies, you will notice just how her costume changed. How cleavage, and her figure were emphasized. I This movie, the uniforms at it were, are form-fitting, yes–but they are not overtly sexual.
4.) How we (the world) expects girls be self-sacrificing. From the first time Natasha kicks the gun out of the soldier’s hand to protect Yelena, Yelena blowing up the engine on the plane, we see that girls are ornamental, only being functional for a common goal or end. The theme of personhood, freedom, free will and the ownership of self are woven throughout the movie.
5.) We teach girls that pain is what strengthens them. Melina tells Natasha, “Don’t let them take your heart.” This is one of those sayings that I believe encourages girls to stay in tune with their emotions–they make you human. In the run of Black Widow through Phase 3, we do not see Natasha breakdown. We do not see her unravel! The last tears (or first tears) we see of Natasha was when she was crying in this mix of fear, rage and disbelief if was around her sister, Yelena. In becoming a woman, there are outrageous things that will happen to girls and in order to cope–we shut off.
We detach. We stuff down. We shift. We lie. We hide. We run. We self-destruct!
Melina’s reminder, even from this staged motherhood, is a reminder that shutting off never works–and should never been the long-term solution.
6.) Trauma bonding. “I cycled through the Red Room four times before you were born. Those walls are all I know.” When Alexei, Yelena, and Natasha find Melina we see just how trauma is two-fold, yet the same: how we hold together and what holds us together! From Yelena and Natasha fighting in Budapest, Melina alerting the Red Room where they are, Red Guardian bonding all his identity to Captain America (Steve Rogers), and the freed Widows not knowing what to do after being given said freedom. Trauma is unavoidable, unsustainable…but unavoidable.
7.) When women work together, they can do anything. What I loved about this movie–yes, loved!–is the relationship between Yelena and Natasha. I loved how Melina gave Natasha the rundown of the Red Room while prepping her what she’s about to face, and even how Taskmaster–Antonia, Drekov’s daughter–had to be freed from her own father and his desire to dominate women. The takeaway–when women of all walks of life work together–we can topple the toxic patriarchy.
Natasha Romanov deserved, and still deserves, so much more.
Stay tuned for Part 2.