Waiting On ‘Candyman’

Due to the COVID-19 Pandemic, the retelling of ‘Candyman’ will be in theatres on September 25–pushed back from its original June 2020 release date.

I saw this new trailer through my Facebook feed early this morning, and had to watch it twice. Despite (and perhaps this is too my detriment) never having hear of Nia DiCosta before directing ‘Candyman’, this short film–this new trailer–has me more hype than I was before to see this movie. And if you look carefully, you will see snippets of other Black history/horror stories in it as well. Within 2 minutes, I am that much more of a fan of hers. The short is intelligent, complex and telling. It reminds me of something that should have been included in the SHUDDER documentary, Horror Noire (Please cop this book! Please watch this documentary!).

The thing that is awesome about this teaser, about this retelling is found in the tweet of the director: “…the symbols we turn them into and the monsters they must have been.” This goes into the controlling of narrative, the controlling/ownership of language, and how minority people will always suffer from the retelling of their own stories by people who don’t look like them! This dovetails into the quote by Tananarive Due: “Black people have always loved horror–horror hasn’t always loved us.” And my favorite quote by her being, “Black history IS Black horror.”

Perhaps the issue remain in the fact that this story was originally written as a short story by Clive Owen. From that story, was the film. From that film, with its premise, allowing pain, anguish, revenge and autonomy through the vehicle of this angry spirit, I believe, is one of the reasons relegating Black people to tokens, magical/sacrificial Negroes or the ‘other’ is comforting to White audiences!

There is a shift vibrating through Black art right now–through all its medium. Besides, if there can be literally 10 movies featuring Jason Voorhees, the world will deal with the angry vengeful spirit of a Black artist whose hand and life were taken because he dared be who is was–and loved who he did! Jordan Peele said it best when he voiced the White male lead horror protag has been done—to death. Now, in this age where freedom is continueally paid for with time, I am anxious to see what else Nia DiCosta is allowed to create. This has to be–must be!–only the beginning.

The Value Of The Put-On: Reflection On ‘Tiffany Haddish Presents: They Ready.’

Image result for tiffany haddish presents they ready

 

*the put-on:  Noun

This is cultural colloquialism which means to give someone you know a chance or opportunity; in a field you are familiar with or currently working.

 

I am a fan of Tiffany Haddish!

I love that she is loud, so Black and hood in white AF in white spaces. I am familiar with her story. I know that she was almost functionally illiterate. I know she was living in her car. I know she was doing comedy, when Kevin Hart talked to her. I know that he gave her $300 to get a hotel for the week. But what I also know is he put her on.

He saw her talent. He spoke to it. And he gave her an opportunity.

That is beauty of the put-on.

In watching this series on Netflix, what I heard so often was, “Tiffany came and got me.”

“Tiffany and I had  pact that whoever went first, they would throw the rope back. And she through it back.”

There is a power in maintaining space, but it is a totally unique power to create it! What Tiffany did is not forget the people that grinded with her, laughed with her, cried with her–and hustled together. It made me so happy to see!

A Black woman, whom is making and solidifying her own career, made a space for other women, especially those that look like her! This is the power of a put-on!

Let me explain this a little further.

 

Image result for tiffany haddish presents they ready

 

THE POWER OF THE PUT-ON

My best friend and I call this ‘putting someone in the room.’ But I like to use ‘the put-on’! This means that you know someone with skills, talents and abilities that someone needs to see. It means you have decided to build as you climb! The goal of it is visibility by an means necessary. The glorious thing, the beautiful thing? The put-on is a ripple in a pond. It provides a space for talent to be discovered and seen by more than just the person that put you on!

But what is the most important thing about the put-on is being able to give shine to people whom may not have it before. Or giving unique opportunities to those whom may never have had them otherwise (classic example:  the Wayans)!

The put-on is a best kept secret, and a card not often played. Why? The fear of other people’s greatness and competition. The put-on nullifies that! It grants presence to people whom need it the most! Or, sadly, may not have ever had it.

The beautiful thing about the put-on, is you don’t have to do anything but open a door. Or drop a card. Or a name. Even, in the case of Tiffany Haddish, go back to where it started–and some folk that people need to see.

 

 

 

 

 

 

 

[images from whatsnewonnetflix.com]